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Glyph for U+1D18B
Source: Noto Music

U+1D18B Musical Symbol Combining Triple Tongue

U+1D18B was added in Unicode version 3.1 in 2001. It belongs to the block U+1D100 to U+1D1FF Musical Symbols in the U+10000 to U+1FFFF Supplementary Multilingual Plane.

This character is a Nonspacing Mark and inherits its script property from the preceding character.

The glyph is not a composition. It has no designated width in East Asian texts. In bidirectional text it acts as Nonspacing Mark. When changing direction it is not mirrored. U+1D18B prohibits a line break before it.

The Wikipedia has the following information about this codepoint:

Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" (as in double) is preferred. The technique also works for whistling. Tonguing also refers to articulation, which is how a musician begins the note (punchy, legato, or a breath attack) and how the note is released (air release, tongued release, etc.) For wind players, articulation is commonly spoken of in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all instruments.

An alteration called "double-tonguing" or "double-articulation" is used when the music being performed has many rapid notes in succession too fast for regular articulation. In this case, the tongue makes a silent "tee-kee". (The actual tongue positioning varies slightly by instrument. Clarinetists may go "too-koo" but a bassoonist may actually say "taco".) Double-articulation allows the tongue to stop the airflow twice as fast when mastered. If the music specifies a pizzicato sequence, the musician might perform this as a rapid sequence of the articulated note, thus: "tee-kee-tee-kee-tee-kee-..." etc., in staccato. When beginning with "da", the second syllable is "ga". Double tonguing is easiest on brass instruments, and it is more difficult for some woodwind instruments, primarily the clarinet and saxophone.

There is also "triple-tonguing", used in passages of triplets: "tee-tee-kee-tee-tee-kee", or less commonly "tee-kee-tee-tee-kee-tee". Cross-beat tonguing, used for dotted rhythms (Notes inΓ©gales: lourΓ© or pointΓ©): tu-ru, with ru falling on the longer note on the beat. Another method was made by Earl D. Irons, this method was a tee-kee-tee kee-tee-kee. This triple tonguing method is most likely the fastest if done correctly. The reason for this is that the tee and kee never repeat itself. Earl D. Irons is the author of 27 Groups Of Exercises, a book full of lip-slurs, double tonguing, and triple tonguing. Such as:

- (=.)
tu-ru

There are different ways of tonguing for the flute. Some flutists tongue between the teeth; others do it between the lips as if spitting; others do it behind the teeth in the roof of the mouth as with trill consonants. With this roof articulation the flutist thinks of the words dah-dah and for double tonguing it is dah-gah-dah-gah.

Tonguing is indicated in the score by the use of accent marks. The absence of slurs is usually understood to imply that each note should be tongued separately. When a group of notes is slurred together, the player is expected to tongue the first note of the group and not tongue any of the other notes, unless those notes have accent marks.

Trombone players must lightly tongue many slurs by tonguing "da"; otherwise, the result would be a glissando. The bagpipes require finger articulations ("graces"), since direct tonguing is impossible.

Representations

System Representation
NΒΊ 119179
UTF-8 F0 9D 86 8B
UTF-16 D8 34 DD 8B
UTF-32 00 01 D1 8B
URL-Quoted %F0%9D%86%8B
HTML hex reference 𝆋
Wrong windows-1252 Mojibake Ò—Œð†‹

Elsewhere

Complete Record

Property Value
Age (age) 3.1 (2001)
Unicode Name (na) MUSICAL SYMBOL COMBINING TRIPLE TONGUE
Unicode 1 Name (na1) β€”
Block (blk) Musical Symbols
General Category (gc) Nonspacing Mark
Script (sc) Inherited
Bidirectional Category (bc) Nonspacing Mark
Combining Class (ccc) Below
Decomposition Type (dt) none
Decomposition Mapping (dm) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Lowercase (Lower) ✘
Simple Lowercase Mapping (slc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Lowercase Mapping (lc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Uppercase (Upper) ✘
Simple Uppercase Mapping (suc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Uppercase Mapping (uc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Simple Titlecase Mapping (stc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Titlecase Mapping (tc) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Case Folding (cf) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
ASCII Hex Digit (AHex) ✘
Alphabetic (Alpha) ✘
Bidi Control (Bidi_C) ✘
Bidi Mirrored (Bidi_M) ✘
Composition Exclusion (CE) ✘
Case Ignorable (CI) βœ”
Changes When Casefolded (CWCF) ✘
Changes When Casemapped (CWCM) ✘
Changes When NFKC Casefolded (CWKCF) ✘
Changes When Lowercased (CWL) ✘
Changes When Titlecased (CWT) ✘
Changes When Uppercased (CWU) ✘
Cased (Cased) ✘
Full Composition Exclusion (Comp_Ex) ✘
Default Ignorable Code Point (DI) ✘
Dash (Dash) ✘
Deprecated (Dep) ✘
Diacritic (Dia) βœ”
Emoji Modifier Base (EBase) ✘
Emoji Component (EComp) ✘
Emoji Modifier (EMod) ✘
Emoji Presentation (EPres) ✘
Emoji (Emoji) ✘
Extender (Ext) ✘
Extended Pictographic (ExtPict) ✘
FC NFKC Closure (FC_NFKC) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Grapheme Cluster Break (GCB) Extend
Grapheme Base (Gr_Base) ✘
Grapheme Extend (Gr_Ext) βœ”
Grapheme Link (Gr_Link) ✘
Hex Digit (Hex) ✘
Hyphen (Hyphen) ✘
ID Continue (IDC) βœ”
ID Start (IDS) ✘
IDS Binary Operator (IDSB) ✘
IDS Trinary Operator and (IDST) ✘
IDSU (IDSU) 0
ID_Compat_Math_Continue (ID_Compat_Math_Continue) 0
ID_Compat_Math_Start (ID_Compat_Math_Start) 0
Ideographic (Ideo) ✘
InCB (InCB) Extend
Indic Mantra Category (InMC) β€”
Indic Positional Category (InPC) NA
Indic Syllabic Category (InSC) Other
Jamo Short Name (JSN) β€”
Join Control (Join_C) ✘
Logical Order Exception (LOE) ✘
Math (Math) ✘
Noncharacter Code Point (NChar) ✘
NFC Quick Check (NFC_QC) Yes
NFD Quick Check (NFD_QC) Yes
NFKC Casefold (NFKC_CF) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
NFKC Quick Check (NFKC_QC) Yes
NFKC_SCF (NFKC_SCF) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
NFKD Quick Check (NFKD_QC) Yes
Other Alphabetic (OAlpha) ✘
Other Default Ignorable Code Point (ODI) ✘
Other Grapheme Extend (OGr_Ext) ✘
Other ID Continue (OIDC) ✘
Other ID Start (OIDS) ✘
Other Lowercase (OLower) ✘
Other Math (OMath) ✘
Other Uppercase (OUpper) ✘
Prepended Concatenation Mark (PCM) ✘
Pattern Syntax (Pat_Syn) ✘
Pattern White Space (Pat_WS) ✘
Quotation Mark (QMark) ✘
Regional Indicator (RI) ✘
Radical (Radical) ✘
Sentence Break (SB) Extend
Soft Dotted (SD) ✘
Sentence Terminal (STerm) ✘
Terminal Punctuation (Term) ✘
Unified Ideograph (UIdeo) ✘
Variation Selector (VS) ✘
Word Break (WB) Extend
White Space (WSpace) ✘
XID Continue (XIDC) βœ”
XID Start (XIDS) ✘
Expands On NFC (XO_NFC) ✘
Expands On NFD (XO_NFD) ✘
Expands On NFKC (XO_NFKC) ✘
Expands On NFKD (XO_NFKD) ✘
Bidi Paired Bracket (bpb) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Bidi Paired Bracket Type (bpt) None
East Asian Width (ea) neutral
Hangul Syllable Type (hst) Not Applicable
ISO 10646 Comment (isc) β€”
Joining Group (jg) No_Joining_Group
Joining Type (jt) Transparent
Line Break (lb) Combining Mark
Numeric Type (nt) none
Numeric Value (nv) not a number
Simple Case Folding (scf) Glyph for U+1D18B Musical Symbol Combining Triple Tongue
Script Extension (scx)
Vertical Orientation (vo) U