Home U+1D100 to U+1D1FF Musical Symbols
Glyph for U+1D1C1
Source: Noto Music


U+1D1C1 was added to Unicode in version 3.1 (2001). It belongs to the block U+1D100 to U+1D1FF Musical Symbols in the U+10000 to U+1FFFF Supplementary Multilingual Plane.

This character is a Other Symbol and is commonly used, that is, in no specific script.

The glyph is not a composition. It has a Neutral East Asian Width. In bidirectional context it acts as Left To Right and is not mirrored. In text U+1D1C1 behaves as Alphabetic regarding line breaks. It has type Other for sentence and Other for word breaks. The Grapheme Cluster Break is Any.

The Wikipedia has the following information about this codepoint:

Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like musica mensurata ("measured music") or cantus mensurabilis ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to musica plana or musica choralis, i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation.

Mensural notation grew out of an earlier, more limited method of notating rhythms in terms of fixed repetitive patterns, the so-called rhythmic modes, which were developed in France around 1200. An early form of mensural notation was first described and codified in the treatise Ars cantus mensurabilis ("The art of measured chant") by Franco of Cologne (c. 1280). A much expanded system allowing for greater rhythmic complexity was introduced in France with the stylistic movement of the Ars nova in the 14th century, while Italian 14th-century music developed its own, somewhat different variant. Around 1400, the French system was adopted across Europe, and became the standard form of notation of the Renaissance music of the 15th and 16th centuries. After around 1600, mensural notation gradually evolved into modern measure (or bar) notation.

The decisive innovation of mensural notation was the systematic use of different note shapes to denote rhythmic durations that stood in well-defined, hierarchical numerical relations to each other. While less context dependent than notation in rhythmic modes, mensural notation differed from the modern system in that the values of notes were still somewhat context-dependent. In particular, a note could have the length of either two or three units of the next smaller order, whereas in modern notation these relations are invariably binary. Whether a note was to be read as ternary ("perfect") or binary ("imperfect") was a matter partly of context rules and partly of a system of mensuration signs comparable to modern time signatures. There was also a complex system of temporarily shifting note values by proportion factors like 2:1 or 3:2. Mensural notation used no bar lines, and it sometimes employed special connected note forms (ligatures) inherited from earlier medieval notation. Unlike in the earliest beginnings of the writing of polyphonic music, and unlike in modern practice, mensural notation was usually not written in a score arrangement but in individual parts.

Mensural notation was extensively described and codified by contemporary theorists. As these writings, like all academic work of the time, were usually in Latin, many features of the system are still conventionally referred to by their Latin terms.


System Representation
NΒΊ 119233
UTF-8 F0 9D 87 81
UTF-16 D8 34 DD C1
UTF-32 00 01 D1 C1
URL-Quoted %F0%9D%87%81
HTML-Escape 𝇁
Wrong windows-1252 Mojibake 𝇁


Complete Record

Property Value
Age 3.1 (2001)
Unicode 1 Name β€”
Block Musical Symbols
General Category Other Symbol
Script Common
Bidirectional Category Left To Right
Combining Class Not Reordered
Decomposition Type None
Decomposition Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Lowercase ✘
Simple Lowercase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Lowercase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Uppercase ✘
Simple Uppercase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Uppercase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Simple Titlecase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Titlecase Mapping Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Case Folding Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
ASCII Hex Digit ✘
Alphabetic ✘
Bidi Control ✘
Bidi Mirrored ✘
Composition Exclusion ✘
Case Ignorable ✘
Changes When Casefolded ✘
Changes When Casemapped ✘
Changes When NFKC Casefolded ✘
Changes When Lowercased ✘
Changes When Titlecased ✘
Changes When Uppercased ✘
Cased ✘
Full Composition Exclusion ✘
Default Ignorable Code Point ✘
Dash ✘
Deprecated ✘
Diacritic ✘
Emoji Modifier Base ✘
Emoji Component ✘
Emoji Modifier ✘
Emoji Presentation ✘
Emoji ✘
Extender ✘
Extended Pictographic ✘
FC NFKC Closure Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Grapheme Cluster Break Any
Grapheme Base βœ”
Grapheme Extend ✘
Grapheme Link ✘
Hex Digit ✘
Hyphen ✘
ID Continue ✘
ID Start ✘
IDS Binary Operator ✘
IDS Trinary Operator and ✘
Ideographic ✘
Indic Mantra Category β€”
Indic Positional Category NA
Indic Syllabic Category Other
Jamo Short Name β€”
Join Control ✘
Logical Order Exception ✘
Math ✘
Noncharacter Code Point ✘
NFC Quick Check Yes
NFD Quick Check Yes
NFKC Casefold Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
NFKC Quick Check Yes
NFKD Quick Check Yes
Other Alphabetic ✘
Other Default Ignorable Code Point ✘
Other Grapheme Extend ✘
Other ID Continue ✘
Other ID Start ✘
Other Lowercase ✘
Other Math ✘
Other Uppercase ✘
Prepended Concatenation Mark ✘
Pattern Syntax ✘
Pattern White Space ✘
Quotation Mark ✘
Regional Indicator ✘
Radical ✘
Sentence Break Other
Soft Dotted ✘
Sentence Terminal ✘
Terminal Punctuation ✘
Unified Ideograph ✘
Variation Selector ✘
Word Break Other
White Space ✘
XID Continue ✘
XID Start ✘
Expands On NFC ✘
Expands On NFD ✘
Expands On NFKC ✘
Expands On NFKD ✘
Bidi Paired Bracket Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Bidi Paired Bracket Type None
East Asian Width Neutral
Hangul Syllable Type Not Applicable
ISO 10646 Comment β€”
Joining Group No_Joining_Group
Joining Type Non Joining
Line Break Alphabetic
Numeric Type None
Numeric Value not a number
Simple Case Folding Glyph for U+1D1C1 Musical Symbol Longa Perfecta Rest
Script Extension
Vertical Orientation U